The process of Animation is often a collaborative effort. The evidence of this can often be seen in the long credits at the end of most animated shorts and films.

Whilst only the most talented and skilled artisans would be employed by the studios, it is often difficult to attribute the corresponding artist to the exact piece of artwork we offer.

We therefore credit this artwork as being created by a Studio Artist, acknowledging their skill and talent bringing joy to collectors around the world.

Michael Bond, the creator of Paddington Bear,  recalls in his own words how Paddington first came into being:

"I bought a small toy bear on Christmas Eve 1956. I saw it left on a shelf in a London store and felt sorry for it. I took it home as a present for my wife Brenda and named it Paddington as we were living near Paddington Station at the time. I wrote some stories about the bear, more for fun than with the idea of having them published. After ten days I found that I had a book on my hands. It wasn’t written specifically for children, but I think I put into it the kind things I liked reading about when I was young."

Michael Bond sent the book to his agent, Harvey Unna, who liked it and after sending to to several publishers it was eventually accepted by William Collins & Sons (now Harper Collins). The publishers commissioned an illustrator, Peggy Fortnum, and the very first Paddington book "A Bear Called Paddington" was published on 13th October 1958.

In 1965, after writing several Paddington titles Michael Bond retired from his job as a cameraman with the BBC, a job he held for many years, in order to write full time.

Of Paddington himself Michael Bond says:

"The great advantage of having a bear as a central character is that he can combine the innocence of a child with the sophistication of an adult. Paddington is not the sort of bear that would ever go to the moon - he has his paws too firmly on the ground for that. He gets involved in everyday situations. He has a strong sense of right and wrong and doesn't take kindly to the red tape bureaucracy of the sillier rules and regulations with which we humans surround ourselves. As a bear he gets away with things. Paddington is humanised, but he couldn't possibly be 'human'. It just wouldn't work."

The Paddington books have sold more than thirty-five million copies worldwide and have been translated into over forty languages.

Michael Bond continues:

"I am constantly surprised by all the translations because I thought that Paddington was essentially an English character. Obviously Paddington-type situations happen all over the world."